Matthews dramatised the Countess’s Act 3 recitative and aria from The Marriage of Figaro, Dove sono entirely with her voice, exploring the recitative with hesitant self-doubt, finding classic ...

In a recitative and aria from Rodelinda, Moody delivered a sustained note that was all but mesmerizing in its intensity and changing colors as he shaped it, and the stand alone aria “Se piu non ...

Davies mirrored the gentle simplicity of the opening aria, only starting to dial up the intensity as the work moved into the more agitated and harmonically complex recitative. As the text – written by ...