where he had a job waiting for him in the band led by his longtime mentor, Joseph “King” Oliver. Between April and December of the following year, they would record 37 tracks together—among ...

The ensemble, billed on the initial releases as “King Oliver’s Creole Jazz Band,” immediately launched a thousand other groups, although few if any emulated Oliver’s use of two cornets.

The Brief Reign of King Oliver article by Karl Ackermann, published on June 12, 2025 at All About Jazz. Find more Backstories articles ...

There were also stories about trumpet battles in which he came out on top, having bested his local rivals. By the year 1916, he teamed up with Edward “Kid” Ory on trombone, and started the Kid Ory and ...

The 21-year-old Armstrong, on cornet, was a protégé of New Orleans fellow cornetist and band leader King Joe Oliver. On April 5, 1923, they went into a Richmond, Ind., studio for a two-day session.

One night in 1923, King Oliver and his Creole Jazz Band, whose classic recordings are now heard in an essential two-CD reissue package, were in the middle of a late set at the Lincoln Gardens dance ...

Oliver led one of the best and most important bands in early jazz, King Oliver's Creole Jazz Band. He was the inventor of the Harmon mute and grew famous for using other mutes, derbies ...

Armstrong first had come to Chicago in 1922 to play in King Oliver’s band but had left shortly thereafter, apparently hoping to find greater glory in Fletcher Henderson’s New York swing band ...

On Monday evening, it was the turn of jazz pioneer Joe "King" Oliver to be celebrated with ... by the Manhattan Ragtime Orchestra, the band was working from arrangements, and there seemed to ...