Griffith’s followup film, Intolerance (1916) was in many ways a reply to ... Lillian Gish wrote in her memoir, The Movies, Mr. Griffith, and Me, “To me, Intolerance recalls Mr. Griffith ...

Though not as groundbreaking as The Birth of a Nation, Intolerance has probably been the better received of the two and contained its fair share of innovation. The movie was the most expensive ...

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

A Sun-play of the Ages, Intolerance tells four tales, all widely separated in time, yet each loosely connected to the others by the title's theme: the Babylonian Story, the Christ Story ...

and the movie theater there ... they had to build the set from the 1916 film Intolerance by D. W. Griffith. The set, with its massive, wonderful pillars and beautiful white elephants on top ...

Intolerance and its terrible effects are examined in four historical eras: In ancient Babylon, a mountain girl is caught up in the religious rivalry that leads to the city's downfall. In Judea ...

The original movie blockbuster is back ... and Griffith was widely criticized. ”Intolerance” was his answer-a $2 million epic (in 1916 dollars) about hypocrisy through the ages.

"Intolerance," directed and produced by D. W. Griffith in 1916, will be presented by the Harvard Film Society Thursday at 8 o'clock in the Institute of Geographical Exploration, 11 Divinity Avenue.