Echoing the work of Turkish master Nuri Bilge Ceylan as well as recent Oscar nominee Mustang, Yeşim Ustaoğlu’s complex drama Clair Obscur tactfully explores female liberty in a modern-day Turkey torn ...

★★★★☆ With Luca Guadagnino's terrific Challengers, the acclaimed director of Call Me By Your Name brings us the sub-genre we never knew we needed: the erotic tennis thriller.

TV crime shows have become some of the most popular shows in the world over recent years. Their popularity has resulted in the production of so many crime shows that it’s difficult to choose which one ...

★★☆☆☆ Carlos Rafael Betancourt and Oscar Ernesto Ortega stage a two-hander about an abusive relationship, in which middle-aged David (Jonathan Del Arco) lures Justin (Héctor Medina) to his home. A ...

★★★★☆ A chance encounter between a pharmacist and a footballer opens up a world of magic and romance in Aleksandre Koberidze's second feature, an endlessly enchanting fable from the Georgian director.

Before you rush into learning the basic techniques of film lightning, producers from Red Rock Entertainment (a British film investment company) remind that there is no right way to employ lighting ...

★★★★☆ An acerbic social satire, Chilean filmmaker Sebastián Silva's latest reflects a cultural malaise rooted in cultural ennui. More than a casual swipe at modern social trends, Rotting in the Sun ...

Paolo Sorrentino’s Youth (2015), his latest meditation on aging, memory and mortality, premièred at Cannes in competition today to assorted cheers and boos. This review is going to fall somewhere ...

★★★★☆ Maltese-American filmmaker Alex Camilleri’s Luzzu charts a course between the dispassionate neorealism of the Dardenne brothers and Gianfranco Rosi’s keen but objective documentarian eye. It is ...

It's hard not to draw parallels with the fatigue we're all feeling and the current landscape of cinema, not least a 'best of' list that this year so strongly reflects a sense of social anxiety, ...

Throughout, it is all too apparent that the people who occupy our attention are far too aware of the camera’s presence, and are therefore inevitably guarded when being filmed. Also, the talking-head ...

★★★★★ The first in a trilogy of Harold Pinter and Joseph Losey collaborations that also includes Accident (1967) and The Go-Between (1970) and re-released this week in glorious 4K, The Servant (1963) ...