Somewhere in the stratosphere between Ohio and New York, cumbersome bodies bumping against pockets of turbulence, my mind ...

In this episode, Meghan O’Rourke, poet, author and editor of The Yale Review, speaks frankly about pursuing a creative and professional life with chronic illness. Joining Lauren Wetmore in ...

Paula Mejia. Paula Mejía is a Colombian American writer and editor from Houston, Texas. Her writing on arts and culture has ...

The late artist Carole Caroompas was once asked why rock and roll provided such generative source material for her paintings ...

On August 29, 2023, the Globe and Mail published an article headlined “Toronto’s cash-strapped Artscape to enter receivership, end management of 14 artist facilities.” Because I’d recently spent two ...

Not very long ago I read Toni Morrison’s Home. This, her tenth novel, chronicles the wayward journey of a young war veteran, Frank Money, making his way back home to Georgia. The novel reroutes the ...

No one likes being called an amateur, a dilettante, a dabbler. “Unprofessional” is an easy insult. The professional always makes the right moves, knows the right thing to say, the right name to check.

The best way to fuck something up is to give it a body. A voice is killed when it is given a body. Whenever there’s a body around you see its faults. The question is, now, in an artworld and social ...

With arms crossed, a Métis curator contemplates Kent Monkman’s The Scream (2017) at the Winnipeg Art Gallery. The history painting dramatizes Canada’s seizure of First Nations, Inuit, and Métis ...